London: Chapman and Hall, 1910. First edition. Hardcover. x, 123p, with decoratively patterned endpapers. After the Preface, two pages of Contents, and six pages of introduction, there are 58 openings, each with a formalised art nouveau design (each based on a species of plant) recto, with an explanatory caption facing..... More

London: Oxford University Press, Humphrey Milford, 1939. First edition. Hardcover. [x], 52pp, illustrated with a photograph of Picasso by Dora Maar as the frontis, and XI monochrome photographs of works by Picasso from the collection of Hugh Willoughby. An idiosyncratic and very personal statement, at a time when Picasso was..... More

New York: Artforum, 1983, 1988. Softcover. The contents of these four issues are clean and fresh, with minimal wear to covers, except that the 1983 Summer issue has a large crease across the bottom corner of its front cover, the contents page and first few advertisement pages. [EXTRA Heavy Item]..... More

Leeds: Richard Jackson, 1888. First and only edition, limited to 350 copies. Hardcover. #98/350. xiv, 55pp, plus the 10 guarded plates of children, each with a facing caption page. With etchings after Millais, Grossmith, Hedley (2), Scannell, Morgan, Thomas, Stocks, Gore, and Williams. Contents in lovely condition, firm, clean and..... More

London: Sydney L. Moss Ltd., 1995. First edition. Hardcover in Slipcase. The two volumes consecutively paginated: 377pp, + 2 maps. Quarto, with many plates. In the original maroon boards, with dustjackets. In fine condition in the red cloth slipcase. All as new. [EXTRA Heavy Item]. More

London: G. Bell and Sons, 1913. New edition. Hardcover. xii, 364; x, 291; xvi, 393; xvi, 308; xviii, 425. With many monochrome plates. Contents clean, with some foxing to prelims, final pages and closed foredges, and with foxing to a few pages and plates. Quarto, 28x21cms, top edge gilt, in..... More

Bristol: Sansom & Company, 2012. First edition. Paperback. 96pp, richly illustrated in colour. The title sounds as though this could be an anthology, but the paintings and, after the introduction, the writings, are all by Newcomb. Quarto glossy paperback, 27x21cms, in fresh, unread condition. Brings together her art, her sly..... More

New York: Artforum, 1983, 1984. Softcover. The contents of these five issues are clean, with some degree of rippling from former damp towards the upper corners. The covers are clean, with minimal wear, although March 1984 has a crease to the back cover. [EXTRA Heavy Item]. More

New York: Artforum, 1978, 1980, 1982. Softcover. Contents clean and fresh in all three issues. 1978 October is VG+, the 1980 November Scott Burton cover has edge and spine scuffs and a big crease to the wide fore-edge border, and the 1982 Summer issue is about Fine. [Heavy Item]. More

Bath: Sansom, 2010. First edition. Hardcover. 128pp, with many illustrations. Half title signed 'Tessa Newcomb 2010'. An immaculate, unread (pristine) copy in dust jacket. More

London: Sotheby's, 2011. Softcover. 200pp, richly illustrated in colour, with some foldouts. Softcover, 11.5"x9", with grey card covers illustrated with the Lucian Freud self-portrait on the front and the Dali portrait of Paul Elouard on the back: but this copy also includes the glossy card wraparound which reproduces the Francis..... More

London: Mnemosyne Art History Press (MAH):, 2008. First edition. Hardcover. x, 182, illustrated in colour. New unread copy. Quarto, In the original green cloth-textured binding titled in gilt, clean, bright and firm, corners sharp, foot of spine slightly blunted. In the protected unclipped pictorial dust jacket, bright and crisp. Lovely..... More

London: Thames and Hudson, in association with Hayward Gallery, 1995. First edition. Hardcover. 360pp, illustrated in colour and monochrome. Contents fresh and clean, as new. Large quarto, in the original binding of glazed ochre cloth, spine titled in red. Bright, fresh and sharp, with slight blunting to spine ends. In..... More