London: Oxford University Press, Humphrey Milford, 1939. First edition. Hardcover. [x], 52pp, illustrated with a photograph of Picasso by Dora Maar as the frontis, and XI monochrome photographs of works by Picasso from the collection of Hugh Willoughby. An idiosyncratic and very personal statement, at a time when Picasso was..... More

New York: Artforum, 1983, 1988. Softcover. The contents of these four issues are clean and fresh, with minimal wear to covers, except that the 1983 Summer issue has a large crease across the bottom corner of its front cover, the contents page and first few advertisement pages. [EXTRA Heavy Item]..... More

Leeds: Richard Jackson, 1888. First and only edition, limited to 350 copies. Hardcover. #98/350. xiv, 55pp, plus the 10 guarded plates of children, each with a facing caption page. With etchings after Millais, Grossmith, Hedley (2), Scannell, Morgan, Thomas, Stocks, Gore, and Williams. Contents in lovely condition, firm, clean and..... More

Austin: University of Texas, 2012. First edition. Hardcover. xii, 284pp, illustrated in colour and monochrome. Unread copy: contents fresh, as new. Explores Huichol yarn paintings in particular, and their transition from sacred offerings to tourist art. 23.5x16cms, in the original binding of blue cloth, spine titled in gilt. Bright, square..... More

London: Thomas Bosworth, 1854. Hardcover. [vi], 54pp, plus the 12 guarded plates. Each chromolithograph is followed by poems by various authors celebrating the species depicted. In intensely coloured roundels of about 6cms diameter, within a gilt circle, Wolf's illustrations vividly depict birds in their natural setting. Set within a wreath..... More

London: B4 Publishing: Philip Dobree & Adrian Self:, 1988, 1989, 1990, 1991. Limited Edition of 150 copies. [first and only printing]. Hardcover. A very nice complete set. Unpaginated: each volume 42.3x30cms, in the original printed paper-covered boards, containing tipped-in tissue-guarded signed prints in various media, each by a different artist..... More

Bristol: Sansom & Company, 2012. First edition. Paperback. 96pp, richly illustrated in colour. The title sounds as though this could be an anthology, but the paintings and, after the introduction, the writings, are all by Newcomb. Quarto glossy paperback, 27x21cms, in fresh, unread condition. Brings together her art, her sly..... More

New York: Artforum, 1983, 1984. Softcover. The contents of these five issues are clean, with some degree of rippling from former damp towards the upper corners. The covers are clean, with minimal wear, although March 1984 has a crease to the back cover. [EXTRA Heavy Item]. More

New York: Artforum, 1978, 1980, 1982. Softcover. Contents clean and fresh in all three issues. 1978 October is VG+, the 1980 November Scott Burton cover has edge and spine scuffs and a big crease to the wide fore-edge border, and the 1982 Summer issue is about Fine. [Heavy Item]. More

London: Institute of Contemporary Art / ICA, 1963. First edition. Softcover. 107pp, illustrated in monochrome, and with excellent articles concerning themselves with music, film, photography and poetry as well as painting and sculpture, and followed by a few pages of advertisements. Most of the first page [pp1-2] has been neatly..... More

Bath: Sansom, 2010. First edition. Hardcover. 128pp, with many illustrations. Half title signed 'Tessa Newcomb 2010'. An immaculate, unread (pristine) copy in dust jacket. More

London: Sotheby's, 2011. Softcover. 200pp, richly illustrated in colour, with some foldouts. Softcover, 11.5"x9", with grey card covers illustrated with the Lucian Freud self-portrait on the front and the Dali portrait of Paul Elouard on the back: but this copy also includes the glossy card wraparound which reproduces the Francis..... More